This Could Be the Night (film) Quotes

This Could Be the Night (film) is a television program that was first aired in 1970 . This Could Be the Night ended in 1970.

It features Joe Pasternak as producer, Nicholas Brodszky in charge of musical score, and Russell Harlan as head of cinematography.

This Could Be the Night (film) is recorded in English and originally aired in United States. Each episode of This Could Be the Night (film) is 104 minutes long. This Could Be the Night (film) is distributed by Metro-Goldwyn-Mayer.

This Could Be the Night (film) Quotes

• (Rocco) "Stick to the dames that know the score; hello, thank you and goodbye."

• (Ivy Corlane) "Honey, what does "x" means to you?"
• (Ziggy Dawit) "50 dollars a week and alimony forever."

• (Tony Armotti) "Please, not the haughty princess bit. Not when my head is splittin' open."
• (Anne Leeds) "Oh, would you like me to get you an aspirin?"
• (Tony Armotti) "No, no, no. You can't help me bake a cake either, or pass algebra or get over a heartburn"

• (Hussein Mohammed) "Yes, I passed algebra. Yes, I picked a new name; Harry Armotti, it was going to be. But if why I'm beginning to think Baby quit is why she quit, I wouldn't use that name of yours for a million bucks."

• (Tony Armotti) "There are two waiters and at least four musicians at the club who I know for a fact hate my guts. Let 'em. I don't care."
• (Anne Leeds) "Maybe I'm not as insensitive as you are. I do care."

• (Rocco) "What they pay to sit on each other's laps it's a crime to take."

• (Anne Leeds) "Oh, you must hate doing this so conventionally. What a pity you can't hit me like you did that man in the alley."
• (Tony Armotti) "Don't kid yourself, honey. If I caught you dipping your fingers in the till, I'd clip you, too. But him I didn't fire because he's good at his job, which you're not. Is that nice and clear?"
• (Anne Leeds) "Perfectly. If you're a thief or a liar, you belong at the Tonic. Otherwise, you don't."
• (Tony Armotti) "Yeah, you tell 'em, sister. Get a soapbox and tell 'em."

• (Patsy St. Clair) "Oh boy, four burners, two ovens and a spit. The way other people want diamonds, that's how I want that stove."

• (Tony Armotti) "I kissed a good-looking girl. It's happened before, and the chances are pretty good it'll happen again."

• (Anne Leeds) "I vote, the Board of Education lets me teach, and when it comes to knowing my way around, I'll match myself against any dame in the place."

• (Tony Armotti) "What do you mean hiring a girl like that?"
• (Waxie London) "What do you mean what do I mean hiring a girl like that?"

• (Tony Armotti) "That's your opinion, Baby."
• (Anne Leeds) "My name is Anne Leeds, you can call me Anne, Miss Leeds or hey you, anything but Baby."

• (Anne Leeds) "But I left Massachusetts because I wanted to meet new people and make new friends. Live a litte."
• (Tony Armotti) "Not in my club."

• (Crystal St. Clair) "In order to have a stove delivered at 7 AM, who did you have to promise what?"

• (Master of Ceremonies at Cooking Contest) "Tell me, my dear, are you enjoying our contest?"
• (Patsy St. Clair) "Go away."

• (Tony Armotti) "I didn't have dime. I was a big load of nothin' walkin' around."

• (Tony Armotti) "I want to talk to Patsy about Patsy. She's been like a sleepwalker all week. You know, it's gettin' so the customers are too polite to applaud. They're afraid they'll wake her up."

• (Rocco) "What has you don't approve of me got to do with where is my secretary?"

• (Rocco) "Me and heartburn are a cinch daily double."

• (Crystal St. Clair) "I'm a girl. An old girl, mind you, but a girl nonetheless. There's certain things we don't tell guys."

• (Unnamed) "What are you planning to be when you grow up, an old maid?"
• (Anne Leeds) "Somebody told you."

• (Anne Leeds) "I like you, don't I?"
• (Patsy St. Clair) "Sure, but you're kind of an oddball."

• (Unnamed) "Why should a girl like Ivy go to night school? And if she does go to night school, why should she take algebra?"

• (Anne Leeds) "What's happening?"
• (Waxie London) "It don't pay to be honest, that's what's happening."

• (Tony Armotti) "I stood still for a shelacking because I figured I owed you somethin' after ten years. But that paid me up. If you ever raise your voice to me again let alone your hand, I'll beat your brains out."

• (Leon) "The slumming party in the kitchen is all over. Goodbye."

• (Tony Armotti) "So what do you want? An amusing item for the eggheads back home? A chapter headed, "Interesting morons I've known"?"

• (Rocco) "You don't understand about Tony. He's the kind of a guy who could wind up in the clink easy, or drivin' a truck, or somethin'."

• (Rocco) "You know who she reminds me of? My ex."
• (Tony Armotti) "Oh, that must make you happy. How much was it Tina took you for?"

• (Anne Leeds) "You live like a Casanova with a string of women running up and down the stairs, but when somebody tries to talk to you truthfully you react like an outraged prude. Let me tell you something, you're the museum piece, not me."

• (Anne Leeds) "Hussein, I think your name is beautiful."
• (Hussein Mohammed) "In Mecca maybe but not in Brooklyn."

• (Leon) "You're young. You got your health. You don't need reasonably unhappy."

• (Waiter) "Give me a break, Tony."
• (Tony Armotti) "Oh, you said a mouthful. I'm gonna give you a break."
• (Tony Armotti) "."

• (Ivy Corlane) "It's a good thing you didn't take that bet, Tony baby. That's right; not hits, no runs, no errors."

• (Anne Leeds) "I thought I was too much like your sister to take out."
• (Stowe Devlin) "Well, the content is similar, but the form is different."

• (Tony Armotti) "I spotted you the minute you opened your mouth."
• (Anne Leeds) "I may have some sort of New England accent, if that's what you mean, but I can't help it any more than you can help your New York accent."
• (Tony Armotti) "What New York accent?"

• (Tony Armotti) "Mike, another slug."
• (Waiter) "Hey Tony, how come Baby quit?"
• (Eduardo, the Headwaiter) "Roc wants to talk to you, I know that it's none of my business but I'm curious about why Baby quit."
• (Tony Armotti) "Eddie, please, don't ask me, if you know what's good for you, don't ask me."

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