The Devil Wears Prada (film) Quotes

The Devil Wears Prada (film) is a television show that appeared on TV in 1970 . The Devil Wears Prada stopped airing in 1970.

It features Wendy Finerman as producer, Theodore Shapiro (composer) in charge of musical score, and Florian Ballhaus as head of cinematography.

The Devil Wears Prada (film) is recorded in English and originally aired in United States. Each episode of The Devil Wears Prada (film) is 109 minutes long. The Devil Wears Prada (film) is distributed by 20th Century Fox.

The cast includes: Meryl Streep as Miranda Priestly, Anne Hathaway as Andy Sachs, Emily Blunt as Emily, David Marshall Grant as Richard Sachs, Stanley Tucci as Nigel, Rebecca Mader as Jocelyn, Adrian Grenier as Nate, Tracie Thoms as Lilly, Rich Sommer as Doug, Simon Baker as Christian Thompson, Gisele Bündchen as Serena, Tracie Thoms as Liz, and Daniel Sunjata as James Holt.

The Devil Wears Prada (film) Quotes

Anne Hathaway as Andy Sachs

• (Anne Hathaway) "Oh. So I don't need to fetch Stephen from the airport tomorrow?"
• (Meryl Streep) "Well, if you speak to him and he decides to rethink the divorce, then yes, fetch away. You are very fetching. So, go fetch."

• (Anne Hathaway) "She's not happy unless everyone around her is panicked, nauseous or suicidal."

• (Anne Hathaway) "She hates me, Nigel."
• (Stanley Tucci) "And that's my problem because -- Oh, wait. No, it's not my problem."
• (Anne Hathaway) "I don't know what else I can do because if I do something right, it's unacknowledged. She doesn't even say thank you. But if I do something wrong, she is vicious."
• (Stanley Tucci) "So quit."
• (Anne Hathaway) "What?"
• (Stanley Tucci) "Quit."
• (Anne Hathaway) "Quit?"
• (Stanley Tucci) "I can get another girl to take your job in five minutes -- one who really wants it."
• (Anne Hathaway) "No, I don't want to quit. That's not fair. But, I, you know, I'm just saying that I would just like a little credit -- for the fact that I'm killing myself trying."
• (Stanley Tucci) "Andy, be serious. You are not trying. You are whining. What is it that you want me to say to you, huh? Do you want me to say, "Poor you. Miranda's picking on you. Poor you. Poor Andy"? Hmm? Wake up, six. She's just doing her job. Don't you know that you are working at the place that published some of the greatest artists of the century? Halston, Lagerfeld, de la Renta. And what they did, what they created was greater than art because you live your life in it. Well, not you, obviously, but some people. You think this is just a magazine, hmm? This is not just a magazine. This is a shining beacon of hope for -- oh, I don't know -- let's say a young boy growing up in Rhode Island with six brothers, pretending to go to soccer practice when he was really going to sewing class and reading Runway under the covers at night with a flashlight. You have no idea how many legends have walked these halls. And what's worse, you don't care. Because this place, where so many people would die to work, you only deign to work. And you want to know why she doesn't kiss you on the forehead and give you a gold star on your homework at the end of the day. Wake up, sweetheart."

• (Anne Hathaway) "I never understood why everyone was so crazy about Paris, but now --"
• (Anne Hathaway) "It's. So. Beautiful."
• (Anne Hathaway) "I can't do this --"
• (Anne Hathaway) "Nate and I only split up a few days ago --"
• (Anne Hathaway) "Oh -- I've had too much wine and my heari- visio- -- judgement is impaired --"
• (Anne Hathaway) "I barely know you and I'm in a strange city --"
• (Anne Hathaway) "I -- I'm out of excuses."
• (Simon Baker) "Thank God."

• (Anne Hathaway) "What if I don't want this?"
• (Meryl Streep) "Oh, don't be silly; EVERYONE wants this. Everyone wants to be us."

• (Anne Hathaway) "Hello?"
• (Emily Blunt) "Andrea, Miranda decided to kill the autumn jacket story for September and she's pulling up the Sedona shoot for October. You need to come into the office right this second and pick up her coffee order on the way."
• (Anne Hathaway) "Now?"
• (Emily Blunt) "Now, get a pen and write this down. I want one no-foam skimmed latte with an extra shot and three drip coffees with room for milk. Searing hot. And I mean hot."

• (Anne Hathaway) "Baby, I don't have a thing to wear to work."
• (Adrian Grenier) "I thought you'd answer the phone and bring coffee; you need a ball gown for that?"
• (Anne Hathaway) "I think I might."

• (Anne Hathaway) "Do you have anything fun planned for this weekend?"
• (Emily Blunt) "Yes."

• (Anne Hathaway) "Same Andy, better clothes."
• (Adrian Grenier) "I like the old clothes."

• (Anne Hathaway) "So none of the girls here eat anything?"
• (Stanley Tucci) "Not since two became new four and zero became the new two."
• (Anne Hathaway) "Well, I'm a six --"
• (Stanley Tucci) "Which is the new fourteen."

• (Anne Hathaway) "My father is coming from Ohio this weekend."

• (Anne Hathaway) "I thought only the first assistant went to the benefit."
• (Meryl Streep) "Only when the first assistant hasn't decided to become an incubus of viral plague."

• (Anne Hathaway) "Is she back? Am I fired?"
• (Emily Blunt) "You know, I rarely say this to people who -- aren't me, but you have got to calm down. Bloody hell --"

• (Anne Hathaway) "Can you please spell 'Gabbana'?"
• (Anne Hathaway) "Guess not --"

• (Anne Hathaway) "Oh, one more little thing."
• (Tracie Thoms) "Gimme."
• (Anne Hathaway) "You want it?"
• (Tracie Thoms) "Gimme, gimme, gimme."
• (Anne Hathaway) "I think she likes it."
• (Tracie Thoms) "Oh my God. This is the new Marc Jacobs. This is, like, sold out everywhere. Where did you get this?"
• (Anne Hathaway) "Miranda didn't want it so --"
• (Tracie Thoms) "Oh no. This bag is, like, nineteen hundred dollars. I cannot take this from her."
• (Anne Hathaway) "Sure you can."

• (Anne Hathaway) "Hello Miranda?"
• (Meryl Streep) "My flight has been cancelled. It's some absurd weather problem."
• (Meryl Streep) "I need to get home tonight."
• (Meryl Streep) "The twins have a recital tomorrow morning at school."
• (Anne Hathaway) "What?"
• (Meryl Streep) "AT SCHOOL."
• (Anne Hathaway) "Absolutely. Let me see what I can do."
• (Meryl Streep) "Good."
• (Anne Hathaway) "Miranda, hi, I'm trying to get you a flight but no one is flying out because of the weather."
• (Meryl Streep) "Oh, please -- it's just- I don't know- drizzling."
• (Meryl Streep) "Someone must be getting out. Call Donatella. Get her jet. Call everybody else that we know that has a jet; Irv? Call every; this is your responsibi; THIS IS YOUR JOB. Get. Me. HOME."
• (Anne Hathaway) "Oh my God. She's going to murder me."
• (David Marshall Grant) "What does she want you to do, call the National Guard and have her airlifted out of there?"
• (Anne Hathaway) "Of course not."
• (Anne Hathaway) "Could I do that?"

• (Anne Hathaway) "Wish me luck."
• (Emily Blunt) "No. Shan't."

• (Anne Hathaway) "Learned a lot. In the end though, I kind of screwed it up."
• (Editor) "I called over there for a reference, left word with some snooty girl. Next thing you know, I got a fax from Miranda Priestly herself -- saying that of all the assistants she's ever had -- you were, by far, her biggest disappointment. And, if I don't hire you, I am an idiot. You must have done something right."

Stanley Tucci as Nigel

• (Stanley Tucci) "Oh, never mind. I'm sure you have plenty more poly-blend where that came from."

• (Stanley Tucci) "I guessed an 8 and a half."
• (Anne Hathaway) "I don't need those. Miranda hired me. She knows what I look like."
• (Stanley Tucci) "Do you?"

• (Stanley Tucci) "There's a scale. One nod is good, two nods is very good. There's only be one actual smile on record and that was Tom Ford in 2001. If she doesn't like it she shakes her head. Then of course there's the pursing of the lips."
• (Anne Hathaway) "Which means?"
• (Stanley Tucci) "Catastrophe."

• (Stanley Tucci) "Let me know when your whole life goes up in smoke. Means it's time for a promotion."

• (Stanley Tucci) "But we're not expected until Tuesday. Did she say why?"
• (Anne Hathaway) "Yes. She explained every detail of her decision-making. And then we brushed each others' hair and gabbed about American Idol."
• (Stanley Tucci) "I see your point."

• (Stanley Tucci) "Come on. Miranda's pushed the run through up a half hour. And she's always 15 minutes early."
• (Anne Hathaway) "Which means?"
• (Stanley Tucci) "You're already late."

• (Stanley Tucci) "Who is that sad little person? Are we doing a before-and-after piece I don't know about?"

• (Stanley Tucci) "I don't know what you expect me to do. There's nothing in this whole closet that'll fit a size six. I can guarantee you. These are all sample sizes; two and four. All right. We're doing this for you. And --"
• (Anne Hathaway) "A poncho?"
• (Stanley Tucci) "You'll take what I give you and you'll like it. We're doing this Dolce for you. And shoes. Jimmy Choos. Manolo Blahnik. Nancy Gonzalez. Love that. Okay, Narciso Rodriguez. This we love. Uh, it might fit. It might."
• (Anne Hathaway) "What?"
• (Stanley Tucci) "Okay. Now, Chanel. You're in desperate need of Chanel. Darling, shall we? We have to get to the beauty department, and God knows how long that's going to take."

• (Stanley Tucci) "Irv Ravitz. Chairman of Elias Clark. You know what they say. Tiny man. Huge ego."

• (Stanley Tucci) "Excuse me, can we adjust the attitude? Don't make me feed you to one of the models."

• (Stanley Tucci) "You bet your size 6 ass."
• (Anne Hathaway) "Size -- 4."

• (Stanley Tucci) "Corn chowder. That's an interesting choice. You do know that cellulite is one of the main ingredients in corn chowder."

Adrian Grenier as Nate

• (Adrian Grenier) "I wouldn't care if you were out there pole-dancing all night, as long as you did it with a little integrity."

• (Adrian Grenier) "Good luck."

• (Adrian Grenier) "You used to make fun of the Runway girls, now you're one of them."

• (Adrian Grenier) "You know, in case you were wondering; the person whose calls you always take? That's the relationship you're in. I hope you two are very happy together."

• (Adrian Grenier) "Why do women need so many bags?"
• (Tracie Thoms) "Shut up."
• (Adrian Grenier) "You have one. You put all your junk in it, and that's it. You're done."
• (Rich Sommer) "Fashion is not about utility. An accessory is merely a piece of iconography used to express individual identity."
• (Tracie Thoms) "Oh. And it's pretty."
• (Rich Sommer) "That too."

Emily Blunt as Emily

• (Emily Blunt) "Oh my God. No, no, no."
• (Anne Hathaway) "What's wrong?"
• (Emily Blunt) "She's on her way. Tell everyone."
• (Stanley Tucci) "Tsk. She's not supposed to be here until nine."
• (Emily Blunt) "Her driver just text messaged and her facialist ruptured a disc. God, these people."
• (Stanley Tucci) "Who's that?"
• (Emily Blunt) "That, I can't even talk about."
• (Stanley Tucci) "Alright everyone, gird your loins."
• (Stanley Tucci) "Did someone eat an onion bagel?"

• (Emily Blunt) "I absolutely have no idea why Miranda hired her."
• (Gisele Bündchen) "Tell me about it. We were in the Beauty Department and she held up this Shu Uemura eyelash curler and said "What is this?""
• (Emily Blunt) "I just knew that when the first moment I saw her, she was going to be a complete and utter disas --"
• (Anne Hathaway) "Miranda Priestly's office -- No, she's not in right now but I'll leave word -- OK, thanks. Bye."
• (Emily Blunt) "How -- Are you wearing the Ch --"
• (Anne Hathaway) "Chanel Boots? Yeah, I am."
• (Gisele Bündchen) "You look good."
• (Gisele Bündchen) "What? She does --"
• (Emily Blunt) "Oh, shut up, Serena."

• (Emily Blunt) "A million girls would kill for this job."

• (Emily Blunt) "Oh God, you're still there. Um. Go. No. Stay. Stay. Sit there, sit there and I will pray she does not notice you are in the area"
• (Anne Hathaway) "It's like self-esteem camp."

• (Emily Blunt) "You sold your soul to the devil when you put on your first pair of Jimmy Choos, I saw it."

• (Emily Blunt) "When I am not here -- Andrea, you are chained to that desk."
• (Anne Hathaway) "But what if I have to --"
• (Emily Blunt) "What? No. Nothing. One time an assistant left the desk. Oh, because she sliced her hand open with a letter opener, and Miranda missed Lagerfeld just before he was about to board a 17 hour flight to Austrailia. She now works at TV Guide."
• (Anne Hathaway) "Man the desk at all times. Got it."

• (Emily Blunt) "You went upstairs? You went upstairs. Oh my God. Why didn't you just crawl into bed with her and ask for a bedtime story?"

• (Emily Blunt) "I don't care if she was going to fire you or beat you with a red hot poker, you should've said no."

• (Emily Blunt) "This is her, the new me."
• (Gisele Bündchen) "I thought you were kidding."

• (Emily Blunt) "Okay, so I was Miranda's second assistant. But her first assistant recently got promoted, and so now, I'm the first."
• (Anne Hathaway) "Oh, and you're replacing yourself."

• (Emily Blunt) "Okay, I am hearing this --"
• (Emily Blunt) "And I want to hear this."

• (Emily Blunt) "You have some very large shoes to fill. I hope you know that."

• (Emily Blunt) "You don't deserve them, I mean you eat carbs, for Chrissake."

Meryl Streep as Miranda Priestly

• (Meryl Streep) "Go."

• (Meryl Streep) "By all means move at a glacial pace. You know how that thrills me."

• (Meryl Streep) "There you are, Emily. How many times do I have to scream your name?"

• (Meryl Streep) "I don't understand why it's so difficult to confirm an appointment."
• (Emily Blunt) "I know. I'm so sorry, Miranda. I actually did confirm last night."
• (Meryl Streep) "Details of your incompetence do not interest me. Tell Simone I'm not going to approve that girl that she sent me for the Brazilian layout. I asked for clean, athletic, smiling. She sent me dirty, tired and paunchy. And R.S.V.P. yes to Michael Kors' party, I want the driver to drop me off at 9:30 and pick me up at 9:45 sharp. Call Natalie at Glorious Foods and tell her no for the 40th time. No. I don't want dacquoise. I want tortes filled with warm rhubarb compote. Then call my ex-husband and remind him that the parent-teacher conference is at Dalton tonight. Then call my husband, ask him to meet me for dinner at that place I went to with Massimo. Tell Richard I saw the pictures that he sent for that feature on the female paratroopers and they're all so deeply unattractive. Is it impossible to find a lovely, slender, female paratrooper? Am I reaching for the stars here? Not really. Also, I need to see all the things that Nigel has pulled for Gwyneth's second cover try. I wonder if she's lost any of that weight yet."
• (Meryl Streep) "Who is that?"

• (Meryl Streep) "Something funny?"
• (Anne Hathaway) "No. No, no. Nothing's -- You know, it's just that both those belts look exactly the same to me. You know, I'm still learning about all this stuff and, uh --"
• (Meryl Streep) "'This -- stuff'? Oh. Okay. I see. You think this has nothing to do with you. You go to your closet and you select -- I don't know -- that lumpy blue sweater, for instance because you're trying to tell the world that you take yourself too seriously to care about what you put on your back. But what you don't know is that that sweater is not just blue, it's not turquoise. It's not lapis. It's actually cerulean. And you're also blithely unaware of the fact that in 2002, Oscar de la Renta did a collection of cerulean gowns. And then I think it was Yves Saint Laurent -- wasn't it who showed cerulean military jackets? I think we need a jacket here. And then cerulean quickly showed up in the collections of eight different designers. And then it, uh, filtered down through the department stores and then trickled on down into some tragic Casual Corner where you, no doubt, fished it out of some clearance bin. However, that blue represents millions of dollars and countless jobs and it's sort of comical how you think that you've made a choice that exempts you from the fashion industry when, in fact, you're wearing the sweater that was selected for you by the people in this room from a pile of stuff."

• (Meryl Streep) "Emily? Emily."
• (Stanley Tucci) "She means you."

• (Meryl Streep) "And this layout for the Winter Wonderland spread. Not wonderful yet."

• (Meryl Streep) "I need 10 or 15 skirts from Calvin Klein --"
• (Anne Hathaway) "What kind of skirts?"
• (Meryl Streep) "-- please bore someone else with your -- questions."

• (Meryl Streep) "Find me that piece of paper I had in my hand yesterday morning."

• (Meryl Streep) "Is there some reason that my coffee isn't here? Has she died or something?"

• (Meryl Streep) "You thought I didn't know. I've known what was happening for quite some time. It just took me a little while to find a suitable alternative for Jacqueline. And that James Holt job was just so absurdly overpaid that of course she jumped at it. So I just had to tell Irv that Jacqueline was unavailable. Truth is, there's no one that can do what I do. Including her. Any of the other choices would have found that job impossible and the magazine would have suffered. Especially because of the list. The list of designers, photographers, editors, writers, models, all of whom were found by me, nurtured by me and have promised me they will follow me whenever and if ever I choose to leave Runway. So he reconsidered. But I was very very impressed by how intently you tried to warn me. I never thought I would say this, Andrea, but I really, I see a great deal of myself in you. You can see beyond what people want, and what they need and you can choose for yourself."
• (Anne Hathaway) "I don't think I'm like that. I couldn't do what you did to Nigel, Miranda. I couldn't do something like that."
• (Meryl Streep) "You already did. To Emily."
• (Anne Hathaway) "That's not what I -- no, that was different. I didn't have a choice."
• (Meryl Streep) "No, no, you chose. You chose to get ahead. You want this life. Those choices are necessary."
• (Anne Hathaway) "But what if this isn't what I want? I mean what if I don't wanna live the way you live?"
• (Meryl Streep) "Oh, don't be ridiculous. Andrea. Everybody wants this. Everybody wants to be us."

• (Meryl Streep) "Do you know why I hired you? I always hire the same girl; stylish, slender, of course -- worships the magazine. But so often, they turn out to be; I don't know; disappointing and, um -- stupid. So you, with that impressive résumé and the big speech about your so-called work ethic; I, um; I thought you would be different. I said to myself, go ahead. Take a chance. Hire the smart, fat girl. I had hope. My God. I live on it. Anyway, you ended up disappointing me more than, um; more than any of the other silly girls."

• (Meryl Streep) "Who's there? Who are you talking to?"
• (Anne Hathaway) "I'm sorry, what's your name?"
• (Tracie Thoms) "Liz."
• (Anne Hathaway) "Liz."
• (Meryl Streep) "Oh God. Get away from her, she's useless. And unattractive. Ask for Ivan. Tell him we need 20 skirts for a reshoot."
• (Tracie Thoms) "What did she say?"
• (Anne Hathaway) "Uh. Is Ivan available?"
• (Tracie Thoms) "Oh."

• (Meryl Streep) "What about Testino? Where are we on that?"
• (Stanley Tucci) "Zac Posen's doing some very sculptural suits. So I suggested that, uh, Testino shoot them at the Noguchi Garden."
• (Meryl Streep) "Perfect. Thank God somebody came to work today."

• (Meryl Streep) "-- You have no sense of fashion --"
• (Anne Hathaway) "I think that depends on --"
• (Meryl Streep) "No, no, that wasn't a question."

• (Meryl Streep) "No. And I've seen all this before."
• (Rebecca Mader) "Theyskens is trying to reinvent the drop waist, so actually it's --"
• (Meryl Streep) "Where are all the other dresses?"
• (Lucia) "We have some right here."
• (Stanley Tucci) "Stand, watch, and listen."
• (Rebecca Mader) "And I think it can be very interesting --"
• (Meryl Streep) "No. No, I just; it's just baffling to me. Why is it so impossible to put together a decent runthrough? You people have had hours and hours to prepare. It's just so confusing to me. Where are the advertisers?"
• (Rebecca Mader) "We have some pieces from Banana Republic."
• (Meryl Streep) "We need more, don't we? Oh. This is-this might be; What do you think of --"
• (Stanley Tucci) "Yeah. Well, you know me. Give me a full ballerina skirt and a hint of saloon and I'm on board."
• (Meryl Streep) "But do you think it's too much like --"
• (Stanley Tucci) "Like the Lacroix from July? I thought that, but no, not with the right accessories. It should work."
• (Meryl Streep) "Where are the belts for this dre; Why is no one ready?"
• (Lucia) "Here. It's a tough call. They're so different."

Rebecca Mader as Jocelyn

(We don't have any quotes for this character)

Rich Sommer as Doug

• (Rich Sommer) "Python's hot right now."

Simon Baker as Christian Thompson

• (Simon Baker) "Andy, baby, it's over, it's done."
• (Anne Hathaway) "I'm not your baby."

• (Simon Baker) "You're a vision."

• (Simon Baker) "Je suis très, très désolé."
• (Anne Hathaway) "You're not that désolé at all."

Tracie Thoms as Lilly

• (Tracie Thoms) "And it's pretty."

Daniel Sunjata as James Holt

• (Daniel Sunjata) "So you're the new Emily."

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