The Breakfast Club Quotes

The Breakfast Club is a TV program that was first aired in 1970 . The Breakfast Club completed its run in 1970.

It features Ned Tanen, and John Hughes as producer, Keith Forsey, and Gary Chang in charge of musical score, and Thomas Del Ruth as head of cinematography.

The Breakfast Club is recorded in English and originally aired in United States. Each episode of The Breakfast Club is 97 minutes long. The Breakfast Club is distributed by Universal Pictures.

The cast includes: Emilio Estevez as Andrew, Anthony Michael Hall as Brian Johnson, Emilio Estevez as Andrew Clark, Ally Sheedy as Allison Reynolds, Molly Ringwald as Claire Standish, Judd Nelson as John Bender, Anthony Michael Hall as Brian, Molly Ringwald as Claire, Judd Nelson as Bender, Judd Nelson as John, and John Kapelos as Carl.

The Breakfast Club Quotes

Emilio Estevez as Andrew

• (Emilio Estevez) "What do they do to you?"
• (Ally Sheedy) "They ignore me."
• (Emilio Estevez) "Yeah -- yeah."

• (Emilio Estevez) "Yo wastoid, you're not gonna blaze up in here."

• (Emilio Estevez) "Speak for yourself."
• (Judd Nelson) "Do you think I'd speak for you? I don't even know your language."

• (Mr. Clark, Andrew's Father) "Hey, I screwed around. Guys screw around, there's nothin' wrong with that."
• (Mr. Clark, Andrew's Father) "Except you got caught, Sport."
• (Emilio Estevez) "Yeah, Mom already wringed me, alright?"
• (Mr. Clark, Andrew's Father) "You wanna miss a match? You wanna blow your ride?"
• (Mr. Clark, Andrew's Father) "No school's gonna give a scholarship to a discipline case."

• (Emilio Estevez) "Why do you have to insult everybody?"
• (Judd Nelson) "I'm being honest, asshole. I would expect you to know the difference."

• (Emilio Estevez) "Let's end this right now. You don't talk to her, you don't look at her and you don't even think about her. You understand me?"
• (Judd Nelson) "I'm trying to help her."

• (Emilio Estevez) "That's real intelligent."
• (Judd Nelson) "You're right. It's wrong to destroy literature. It's such fun to read. And"
• (Judd Nelson) "Moe-Lay really pumps my nads."
• (Molly Ringwald) "Moliere."

• (Emilio Estevez) "So -- what's your poison?"
• (Emilio Estevez) "-- Ok, forget I asked."
• (Ally Sheedy) "Vodka."
• (Emilio Estevez) "Vodka? When do you drink vodka."
• (Ally Sheedy) "Whenever."
• (Emilio Estevez) "How much?"
• (Ally Sheedy) "Tons."

• (Emilio Estevez) "I taped Larry Lester's buns together."
• (Anthony Michael Hall) "That was you?"
• (Emilio Estevez) "Yeah, you know him?"
• (Anthony Michael Hall) "Yeah, I know him."
• (Emilio Estevez) "Well, then you know how hairy he is. And when they pulled the tape off, most of his hair came off and some; some skin, too."
• (Molly Ringwald) "Oh my God."
• (Emilio Estevez) "And the bizarre thing is that I did it for my old man. I tortured this poor kid because I wanted him to think that I was cool. He's always going off about how when he was in school and all the wild things he used to do. And I got the feeling that he was disappointed that I never cut loose on anyone, right? So I'm sitting in the locker room and I'm taping up my knee, and Larry's undressing a couple lockers down from me. And he's kinda, he's kinda skinny. Weak. And I started thinkin' about my father, and his attitude about, about weakness. And the next thing I knew, I jumped on top of him and started whaling on him. And my friends, they just laughed and cheered me on. And afterwards, when I'm sitting in Vernon's office, all I could think about was Larry's father and Larry having to go home and explain what happened to him. And the humiliation; the f***ing humiliation he must have felt. It must have been unreal. I mean, how -- how do you apologize for something like that? There's no way. It's all because of me and my old man. God, I f***ing hate him. He's like this mindless machine that I can't even relate to anymore."
• (Emilio Estevez) "'Andrew. You've got to be number one. I won't tolerate any losers in this family. Your intensity is for s***. Win. Win. Win.' You son of a bitch. You know, sometimes I wish my knee would give. And I wouldn't be able to wrestle anymore. And he could forget all about me."

• (Emilio Estevez) "What happened to you?"
• (Ally Sheedy) "Why? Claire did it -- What's wrong?"
• (Emilio Estevez) "Nothing's wrong -- it's just so different, you know? I can see your face."
• (Ally Sheedy) "Is that good or bad?"
• (Emilio Estevez) "It's good."

• (Emilio Estevez) "I'm not a winner because I want to be one. I'm a winner because I've got strength and speed -- kinda like a racehorse. It's about how involved I am in what's happening to me."

• (Emilio Estevez) "What do you need a fake I.D. for?"
• (Anthony Michael Hall) "So I can vote."

• (Emilio Estevez) "If I lose my temper you're totaled, man."
• (Judd Nelson) "Totally?"
• (Emilio Estevez) "Totally."

• (Emilio Estevez) "Just me. Just you and me. Two hits -- me hitting you, you hitting the floor. Any time you're ready, pal."
• (Judd Nelson) "I don't wanna get into this with you man."
• (Emilio Estevez) "Why not?"
• (Judd Nelson) "Cause I'd kill you. It's real simple, I'd kill you and your f***ing parents would sue me and it'd be a big mess and I don't care enough about you to bother."
• (Emilio Estevez) "Chickens***."
• (Emilio Estevez) "Let's end this right now. You don't talk to her -- you don't look at her and you don't even think about her. You understand me?"

• (Emilio Estevez) "I said, leave her alone."
• (Judd Nelson) "You gonna make me?"
• (Emilio Estevez) "Yeah."
• (Judd Nelson) "You and how many of your friends?"
• (Emilio Estevez) "Just me. Just you and me. Two hits. Me hitting you. You hitting the floor. Anytime you're ready, pal."

• (Richard Vernon) "Jesus Christ Almighty. What in God' s name is going on in here? What was that ruckus?"
• (Emilio Estevez) "Uh, what ruckus?"
• (Richard Vernon) "I was just in my office and I heard a ruckus."
• (Anthony Michael Hall) "Could you describe the ruckus, sir?"

• (Emilio Estevez) "We're all pretty bizarre. Some of us are just better at hiding it, that's all."

• (Emilio Estevez) "Hey, you're not urinating in here, man."
• (Judd Nelson) "Don't talk. Don't talk. It makes it crawl back up."

Molly Ringwald as Claire Standish

• (Molly Ringwald) "Why didn't you want me to know that you are a virgin?"
• (Anthony Michael Hall) "Because it's my business; my personal business."
• (Judd Nelson) "Well, Brian, it doesn't sound like you're doing any business."

• (Molly Ringwald) "Do you know how popular I am? I am so popular. Everybody loves me so much at this school."
• (Judd Nelson) "Poor baby."

• (Molly Ringwald) "You know why guys like you knock everything?"
• (Judd Nelson) "Oh, this should be stunning."
• (Molly Ringwald) "It's because you're afraid."
• (Judd Nelson) "Oh God, you richies are so smart, that's exactly why I'm not heavy into activities."
• (Molly Ringwald) "You're a big coward."
• (Anthony Michael Hall) "I'm in the math club."
• (Molly Ringwald) "See, you're afraid that they won't take you, you don't belong, so you have to just dump all over it."
• (Judd Nelson) "Well, it wouldn't have anything to do with you activities people being assholes, now would it?"
• (Molly Ringwald) "Well, you wouldn't know, you don't even know any of us."
• (Judd Nelson) "Well, I don't know any lepers either, but I'm not going to run out and join one of their f***ing clubs."
• (Emilio Estevez) "Hey. Let's watch the mouth, huh?"
• (Anthony Michael Hall) "I'm in the physics club too."
• (Judd Nelson) "Excuse me a sec. What are you babbling about?"
• (Anthony Michael Hall) "Well, what I had said was I'm in the math club, uh, the Latin, and the physics club -- physics club."
• (Judd Nelson) "Hey, Cherry. Do you belong to the physics club?"
• (Molly Ringwald) "That's an academic club."
• (Judd Nelson) "So?"
• (Molly Ringwald) "So academic clubs aren't the same as other kinds of clubs."
• (Judd Nelson) "Ah -- but to dorks like him, they are. What do you guys do in your club?"
• (Anthony Michael Hall) "Well, in physics we -- we talk about physics, properties of physics."
• (Judd Nelson) "So it's sorta social, demented and sad, but social. Right?"

• (Molly Ringwald) "I don't think either one of them gives a s*** about me. It's like they use me just to get back at each other."
• (Ally Sheedy) "Ha."
• (Molly Ringwald) "Shut up."

• (Molly Ringwald) "You know, you look a lot better without all that black s*** under your eyes."
• (Ally Sheedy) "Hey, I like all that black s*** -- Why are you being so nice to me?"
• (Molly Ringwald) "Because you're letting me."

• (Molly Ringwald) "He's just doing it to get a rise out of you. Just ignore him."
• (Judd Nelson) "Sweets. You couldn't ignore me if you tried. So -- so. Are you guys like boyfriend-girlfriend? Steady dates? Lovers? Come on, sporto, level with me. Do you slip her the hot beef injection?"
• (Molly Ringwald) "Go to HELL."
• (Emilio Estevez) "Enough."
• (Richard Vernon) "Hey. What's goin in there? Damn pricks."

• (Molly Ringwald) "I hate it. I hate having to go along with everything my friends say."

• (Molly Ringwald) "What's your name?"
• (Judd Nelson) "What's yours?"
• (Molly Ringwald) "Claire."
• (Judd Nelson) "Claire?"
• (Molly Ringwald) "Claire. It's a family name."
• (Judd Nelson) "Oh, it's a fat girl's name."
• (Molly Ringwald) "Oh, thank you."
• (Judd Nelson) "You're welcome."
• (Molly Ringwald) "I'm not fat."
• (Judd Nelson) "Well not at present, but I can see you really pushing maximum density. See I'm not sure if you know this, but there are two kinds of fat people: there's fat people that were born to be fat, and there's fat people that were once thin but became fat -- so when you look at 'em you can sorta see that thin person inside. You see, you're gonna get married, you're gonna squeeze out a few puppies and then, uh --"

• (Richard Vernon) "Well, well. Here we are. I want to congratulate you for being on time."
• (Molly Ringwald) "Excuse me, sir. I think there's been a mistake. I know it's detention but I don't think I belong in here."
• (Richard Vernon) "It is now 7:06. You have exactly 8 hours and 54 minutes to think about WHY you are here; to ponder the error of your ways. You will not talk -- You will now move from these seats."
• (Richard Vernon) "And YOU -- will not sleep."
• (Richard Vernon) "All right people, we're going to try something a little different today. We are going to write an essay of no less than a thousand words describing to me who you think you are."
• (Judd Nelson) "Is this a test?"
• (Richard Vernon) "And when I say 'essay', I mean 'essay'. I do not mean a single word repeated a thousand times. Is that clear, Mr. Bender?"
• (Judd Nelson) "Crystal."
• (Richard Vernon) "Good. Maybe you'll learn a little something about yourself. You might even decide whether or not you'd care to return."
• (Anthony Michael Hall) "Uh, you know, I can answer that right now, sir. That'd be no -- No from me, 'cause --"
• (Richard Vernon) "Sit down, Johnson."
• (Anthony Michael Hall) "Thank you, sir."
• (Richard Vernon) "My office is right across that hall. Any monkey business is ill-advised. Any questions?"
• (Judd Nelson) "Yeah, I got a question. Does Barry Manilow know that you raid his wardrobe?"
• (Richard Vernon) "You'll get the answer to that question, Mr. Bender, next Saturday. Don't mess with the bull, young man; you'll get the horns."
• (Judd Nelson) "That man -- is a brownie hound."

Judd Nelson as Bender

• (Judd Nelson) "But face it. You're a neo maxi zoom dweebie, what would you be doing if you weren't out making yourself a better citizen?"

• (Judd Nelson) "You're kind of sexy when you're angry."

• (Judd Nelson) "Keep your f***in' hands off me. I'd expect better manners from you, Dick."

• (Richard Vernon) "What if your home -- what if your family -- what if your dope was on fire?"
• (Judd Nelson) "Impossible, sir. It's in Johnson's underwear."

• (Richard Vernon) "You're not fooling anyone, Bender. The next screw that falls out will be you."
• (Judd Nelson) "Eat my shorts."
• (Richard Vernon) "What was that?"
• (Judd Nelson) "Eat -- My -- Shorts."
• (Richard Vernon) "You just bought yourself another Saturday."
• (Judd Nelson) "Ooh, I'm crushed."
• (Richard Vernon) "You just bought one more."
• (Judd Nelson) "Well I'm free the Saturday after that. Beyond that, I'm going to have to check my calendar."
• (Richard Vernon) "Good, cause it's going to be filled. We'll keep going. You want another one? Just say the word say it. Instead of going to prison you'll come here. Are you through?"
• (Judd Nelson) "No."
• (Richard Vernon) "I'm doing society a favor."
• (Judd Nelson) "So?"
• (Richard Vernon) "That's another one right now. I've got you for the rest of your natural born life if you don't watch your step. You want another one?"
• (Judd Nelson) "Yes."
• (Richard Vernon) "You got it. You got another one right there. That's another one pal."
• (Molly Ringwald) "Cut it out."
• (Richard Vernon) "You through?"
• (Judd Nelson) "Not even close bud."
• (Richard Vernon) "Good. You got one more right there."
• (Judd Nelson) "You really think I give a s***?"
• (Richard Vernon) "Another. You through?"
• (Judd Nelson) "How many is that?"
• (Anthony Michael Hall) "That's seven including when we first came in and you asked Mr. Vernon whether Barry Manilow knew that he raided his closet."
• (Richard Vernon) "Now it's eight. You stay out of this."
• (Anthony Michael Hall) "Excuse me sir, it's seven."

• (Judd Nelson) "Remember how you said your parents use you to get back at each other?"
• (Judd Nelson) "Wouldn't I be OUTSTANDING in that capacity?"

• (Judd Nelson) "Screws fall out all the time, the world is an imperfect place."

• (Judd Nelson) "You keep eating your hand and you're not gonna be hungry for lunch --"

• (Judd Nelson) "My impression of life at Big Bri's house, "Son?" "Yeah, Dad?" "How was your day, son?" "Great, Dad. How's yours?" "Super. Say, how would like to go fishing this weekend?" "Great, Dad. But I got homework to do." "That's okay, son. You can do it on the boat." "Gee." "Hon, isn't our son swell?" "Yes, dear. Isn't life swell?""

• (Richard Vernon) "That's the last time, Bender. That the last time you ever make me look bad in front of those kids, you hear me? I make $31,000 a year and I have a home and I'm not about to throw it all away on some punk like you. But someday when you're outta here and you've forgotten all about this place and they've forgotten all about you, and you're wrapped up in your own pathetic life, I'm gonna be there. That's right. And I'm gonna kick the living s*** out of you. I'm gonna knock your dick in the dirt."
• (Judd Nelson) "You threatening me?"
• (Richard Vernon) "What are you gonna do about it? You think anyone's gonna believe you? You think anyone is gonna take your word over mine? I'm a man of respect around here. They love me around here. I'm a swell guy. You're a lying sack of s*** and everybody knows it. Oh, you're a tough guy. Hey c'mon. Get on your feet pal. Let's find out how tough you are. I wanna know right now how tough you are."
• (Richard Vernon) "Just take the first shot. I'm begging you, take a shot. Just one hit. Come on, that's all I need, just one swing --"
• (Richard Vernon) "That's what I thought. You're a gutless turd."

• (Judd Nelson) "That man -- is a brownie hound."

• (Judd Nelson) "Naked blonde walks into a bar with a poodle under one arm, and a two-foot salami under the other. The bartender says, I guess you won't be needing a drink. Naked lady says --"
• (Judd Nelson) "Oh, s***."

• (Judd Nelson) "How does one become a janitor?"
• (John Kapelos) "You wanna be a janitor?"
• (Judd Nelson) "No, I just want to know how one becomes a janitor. Because Andrew here is very interested in pursuing a career in the custodial arts."
• (John Kapelos) "Oh really? You guys think I'm just some untouchable peasant? Serf? Peon? Well, maybe so. But following a broom around after s***heads like you for the last 8 years, I've learned a couple of things. I look through your letters. I look through your lockers. I listen to your conversations, you don't know that but I do. I am the eyes and ears of this institution, my friends."
• (John Kapelos) "By the way, that clock's 20 minutes fast."

• (Judd Nelson) "Claire, you wanna see a picture of a guy with elephantitis of the nuts? It's pretty tasty."
• (Molly Ringwald) "No thank you."
• (Judd Nelson) "How does he ride a bike?"
• (Judd Nelson) "Oh Claire, would you ever consider dating a guy who looked like this?"
• (Molly Ringwald) "Can't you just leave me alone?"
• (Judd Nelson) "I mean even if he had a nice personality and a cool car -- although you'd probably have to ride in the backseat because his nuts would ride shotgun"

• (Judd Nelson) "YOU ARE A BITCH."
• (Molly Ringwald) "Why? 'Cause I'm telling the truth, that makes me a bitch?"
• (Judd Nelson) "NO. 'Cause you know how s***ty that is to do someone, and you don't got the balls to stand up to your friends and tell them you're gonna like who you wanna like."

• (Judd Nelson) "You load up, you party."
• (Anthony Michael Hall) "Uhh, no, actually, we dress up."

• (Judd Nelson) "Does Barry Manilow know that you raid his wardrobe?"

• (Judd Nelson) "Are you a virgin? I'll bet you a million dollars that you are. Let's end the suspense. Is it gonna be -- a white wedding?"
• (Molly Ringwald) "Why don't you just shut up?"
• (Judd Nelson) "Have you ever kissed a boy on the mouth?"
• (Judd Nelson) "Have you ever been felt up? Over the bra, under the blouse, shoes off -- hoping to God your parents don't walk in?"
• (Molly Ringwald) "Do you want me to puke?"
• (Judd Nelson) "Over the panties, no bra, blouse unbuttoned, Calvins in a ball on the front seat, past eleven on a school-night?"

• (Judd Nelson) "What's in there?"
• (Molly Ringwald) "Guess? Where's your lunch?"
• (Judd Nelson) "You're wearing it."
• (Molly Ringwald) "You're nauseating."
• (Judd Nelson) "What's that?"
• (Molly Ringwald) "Sushi."
• (Judd Nelson) "Sushi?"
• (Molly Ringwald) "Rice, raw fish, and seaweed."
• (Judd Nelson) "You won't accept a guy's tongue in your mouth, and you're going to eat that?"
• (Molly Ringwald) "Can I eat?"
• (Judd Nelson) "I don't know. Give it a try."

• (Judd Nelson) "Being bad feels pretty good, huh?"

• (Judd Nelson) "That's very clever, sir. But what if there's a fire? I think violating fire codes and endangering the lives of children would be unwise at this juncture in your career, sir."

• (Judd Nelson) "Oh, s***. What're we s'posed to do if we have to take a piss?"
• (Molly Ringwald) "Please."
• (Judd Nelson) "If you gotta go, you gotta go."
• (Molly Ringwald) "Oh my god."
• (Emilio Estevez) "Hey, you're not urinating in here man."
• (Judd Nelson) "Don't talk, don't talk. It makes it crawl back up."
• (Emilio Estevez) "You whip it out and you're dead before the first drop hits the floor."
• (Judd Nelson) "You're pretty sexy when you get angry."

• (Judd Nelson) "Don't you ever talk about my friends. You don't know any of my friends. You don't look at any of my friends. And you certainly wouldn't condescend to speak to any of my friends. So you just stick to the things you know: shopping, nail polish, your father's BMW, and your poor, rich drunk mother in the Caribbean."
• (Molly Ringwald) "SHUT UP."
• (Judd Nelson) "And as far as being concerned about what's gonna happen when you and I walk down the hallways of school together, you can forget it cuz it's never gonna happen. Just bury your head in the sand and wait for your f***in' prom."
• (Molly Ringwald) "I hate you."
• (Judd Nelson) "Yeah? Good."

• (Judd Nelson) "Hey, how come Andrew gets to get up? If he gets up, we'll all get up, it'll be anarchy."

• (Judd Nelson) "I wanna be an airborne ranger / I wanna lead a life of danger / Before the day I die / There's five things I wanna ride / Bicycle, tricycle, automobile / Virgin's mother and a ferris wheel --"

• (Judd Nelson) "Uh, Dick? Excuse me; Rich. Will milk be made available to us?"
• (Emilio Estevez) "We're extremely thirsty, sir."
• (Molly Ringwald) "I have a really low tolerance for dehydration."
• (Emilio Estevez) "I've seen her dehydrate, sir. It's pretty gross."

• (Judd Nelson) "What're we having?"
• (Anthony Michael Hall) "Uh, it's your standard, regular lunch I guess --"
• (Judd Nelson) "Milk?"
• (Anthony Michael Hall) "Uh, soup."
• (Judd Nelson) "Ah."
• (Anthony Michael Hall) "That's apple juice --"
• (Judd Nelson) "I can read. PB & J with the crusts cut off -- Well, Brian, this is a very nutritious lunch. All the food groups are represented. Did your mom marry Mr. Rogers?"
• (Anthony Michael Hall) "Uh, no, Mr. Johnson."

Ally Sheedy as Allison Reynolds

• (Judd Nelson) "You keep eating your hand; you're not gonna be hungry for lunch."

• (Ally Sheedy) "I don't have to run away and live in the street. I can run away and I can go to the ocean, I can go to the country, I can go to the mountains. I could go to Israel, Africa, Afghanistan."

• (Ally Sheedy) "Your middle name is Ralph, as in puke, your birth date's March 12th, you're 5'9 and a half, you weigh 130 pounds and your social security number is 049380913."
• (Emilio Estevez) "Wow. Are you psychic?"
• (Ally Sheedy) "No."
• (Anthony Michael Hall) "Well, would you mind telling me how you know all this about me?"
• (Ally Sheedy) "I stole your wallet."

• (Ally Sheedy) "You have problems."
• (Emilio Estevez) "Oh, I have problems?"
• (Ally Sheedy) "You do everything everyone tells you to do and that is a problem."
• (Emilio Estevez) "Okay, fine, but I didn't dump my purse out on the couch and invite everyone into my problems."

• (Ally Sheedy) "When you grow up, your heart dies."
• (Judd Nelson) "So, who cares?"
• (Ally Sheedy) "I care."

Anthony Michael Hall as Brian Johnson

• (Anthony Michael Hall) "Are you gonna be, like, a shopping bag lady? You know, like, sit in alleyways and, like, talk to buildings and wear men's shoes and that kinda thing?"

• (Anthony Michael Hall) "Chicks cannot hold their smoke, dat's what it is."

• (Anthony Michael Hall) "I'm a f***ing idiot because I can't make a lamp?"
• (Judd Nelson) "No. You're a genius because you can't make a lamp."

• (Anthony Michael Hall) "Saturday, March 24, 1984. Shermer High School, Shermer, Illinois, 60062. Dear Mr. Vernon, we accept the fact that we had to sacrifice a whole Saturday in detention for whatever it was we did wrong. What we did was wrong. But we think you're crazy to make us write an essay telling you who we think we are. What do you care? You see us as you want to see us; in the simplest terms, in the most convenient definitions. You see us as a brain, an athlete, a basket case, a princess and a criminal. Correct? That's the way we saw each other at 7:00 this morning. We were brainwashed."

• (Anthony Michael Hall) "Dear Mr. Vernon, we accept the fact that we had to sacrifice a whole Saturday in detention for whatever it was we did wrong. But we think you're crazy to make us write an essay telling you who we think we are. You see us as you want to see us; in the simplest terms, in the most convenient definitions. But what we found out is that each one of us is a brain --"
• (Emilio Estevez) "-- and an athlete --"
• (Ally Sheedy) "-- and a basket case --"
• (Molly Ringwald) "-- a princess --"
• (Judd Nelson) "-- and a criminal --"
• (Anthony Michael Hall) "Does that answer your question? Sincerely yours, the Breakfast Club."

• (Brian's mom) "Now is this the first time or the last time you do this to me?"
• (Anthony Michael Hall) "Last."
• (Brian's mom) "Now get in there and use the time to your advantage."
• (Anthony Michael Hall) "Mom, we're not supposed to study, we just have to sit there and do nothing."
• (Brian's mom) "Well mister, you figure out a way to study."
• (Brian's sister) "Yeah."

• (Anthony Michael Hall) "Did you know without trigonometry, there'd be no engineering?"
• (Judd Nelson) "Without lamps, there'd be no light."

John Kapelos as Carl

• (Richard Vernon) "You think about this: when you get old, these kids; when I get old; they're going to be running the country."
• (John Kapelos) "Yeah."
• (Richard Vernon) "Now this is the thought that wakes me up in the middle of the night. That when I get older, these kids are going to take care of me."
• (John Kapelos) "I wouldn't count on it."

• (Richard Vernon) "What did you wanna be when you were young?"
• (John Kapelos) "When I was a kid, I wanted to be John Lennon."
• (Richard Vernon) "Carl, don't be a goof. I'm making a serious point here."

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