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So Big (1932 film) Quotes

So Big (1932 film) is a TV program that was first aired in 1970 . So Big stopped airing in 1970.

It features Jack L. Warner as producer, W. Franke Harling in charge of musical score, and Sidney Hickox as head of cinematography.

So Big (1932 film) is recorded in English and originally aired in United States. Each episode of So Big (1932 film) is 81 minutes long. So Big (1932 film) is distributed by Warner Bros..

The cast includes: Dickie Moore as Dirk De Jong, and Bette Davis as Miss Dallas O'Mara.

So Big (1932 film) Quotes

Dickie Moore as Dirk De Jong

  • (Dickie Moore) "You're just about the most attractive girl I've ever met"
  • (Bette Davis) "Very good. Kinda sterotyped, but still effective. Time out while I work up a maidenly blush."
  • (Dickie Moore) "Now this is your last chance. I'm not going to ask you this question any more. How about having dinner with me some night?"
  • (Bette Davis) "Love to."
  • (Dickie Moore) "When?"
  • (Bette Davis) "Oh, sometime in the distant future -- say, um, tonight."
  • (Dickie Moore) "Perfect. Where would you like to go, the Casino?"
  • (Bette Davis) "Oh, let's not and say we did. Those upper-crust places make me jitter."
  • (Dickie Moore) "Well, how about Thompson's Lunch?"
  • (Bette Davis) "Oh, I'm still hunchbacked from sitting in those one-armed chairs. Let's go to a hotel--full of all sorts of people: actors, gamblers, thieves, bootleggers, ladies and -- and women. That's my dish."
  • (Dickie Moore) "Must a man be an artist to interst you?"
  • (Bette Davis) "Good Lord, no. I'll probably marry some horny-handed son of toil, and if I do, the horny hands'll win me. I like them with their scars on them. There's something about a man who has fought for it: the look in his eye, the feel of his hands. You haven't a mark on you, Dirk, not a mark. You gave up being an architect because it was an uphill, disheartening job at the time. I don't say you should have kept on. For all I know, you were a terrible architect. But if you had kept on, if you'd loved it enough to keep on fighting and struggling, why that fight would show in your face today--in your eyes, in your whole being."
  • (Dickie Moore) "In the name of Heaven, Dallas, I have --"
  • (Bette Davis) "I'm not criticizing you, but -- but you're all smooth. And I like 'em bumpy."

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