Paris When It Sizzles Quotes

Paris When It Sizzles is a TV show that appeared on TV in 1970 . Paris When It Sizzles ended in 1970.

It features George Axelrod, and Richard Quine as producer, Nelson Riddle in charge of musical score, and Charles Lang; Claude Renoir as head of cinematography.

Paris When It Sizzles is recorded in English and originally aired in United States. Each episode of Paris When It Sizzles is 108 long. Paris When It Sizzles is distributed by Paramount Pictures.

Paris When It Sizzles Quotes

• (Unnamed) "I have the car right here, sir."

• (Unnamed) "Now then, the mysterious stranger. Who is he? What does he do? What suffering, what torment caused the deep sadness that lurks behind his eyes? And why, while we're asking questions, didn't I listen to my father and learn some sort of useful trade?"

• (Unnamed) "You call the canary Richelieu because you always wanted a cardinal."
• (Unnamed) "That's very funny."
• (Unnamed) "No, it isn't. Just one of the hazards of being an international wit, which I am. You have to keep trying all the time."

• (Unnamed) "Yes?"
• (Unnamed) "Mr. Benson?"
• (Unnamed) "You are, I assume, the young lady from the typing bureau?"
• (Unnamed) "I am."
• (Unnamed) "In that case, if we are to have a happy and harmonious relationship, I beg of you, never answer a question with a question. Is that clear?"
• (Unnamed) "Did I?"
• (Unnamed) "There you go again, answering a question with a question. My original yes when you opened the door was a question, question mark implied of course. You do know the difference between implied and inferred?"
• (Unnamed) "Isn't that a question?"
• (Unnamed) "Yes."
• (Unnamed) "Well, you just answered my question with a question. To imply to indicate without saying openly or directly, to infer is to conclude from something known or assumed."

• (Unnamed) "Now, I suppose we'll have to describe him."
• (Unnamed) "Yes, I suppose so."
• (Unnamed) "He's American, of course. I can write him better that way. Now let's see, what else."
• (Unnamed) "I see him as rather tall, rather suntanned, rather handsome athletic-looking with a rugged, but -- curiously sensitive face."

• (Unnamed) "It's quite all right, really. I once worked for an American novelist who could only write in the bathtub. I'm used to anything."
• (Unnamed) "You can unpack -"
• (Unnamed) "in the bathtub?"
• (Unnamed) "Yes. On the second day, I gave him a packet of bubble bath and from then on we got along swimmingly."
• (Unnamed) "I see."
• (Unnamed) "Uh, does that imply that the bird's name is Richelieu?"
• (Unnamed) "Oh, it's inferred, I believe, rather than implied."
• (Unnamed) ""Swimmingly." Interesting figure of speech."

• (Unnamed) "He's not asking her to spend a weekend with him at a motel in Asbury Park, New Jersey; he's asking her to lunch."

• (Unnamed) "Take a note. For the textbook which I will someday write on the art of screenwriting: never play 13, 31 and the corners there of for any seriously length of time for any serious amount of money. It doesn't work."

• (Unnamed) "What's the story about?"
• (Unnamed) "It's an action/suspense, uh, romantic melodrama with lots of comedy, of course. And, uh, deep down underneath, a substrata of social comment."

• (Unnamed) "I've got an idea. I've got an idea. First good one I've had in four months. No, that's not true. A few weeks ago I had an idea to give up drinking, but it didn't photograph."

• (Unnamed) "This is it. The office there, I live up here, and uh, the terrace is out there. That rather grotesque object looming so formidably on the horizon is the Eiffel Tower. I had it moved there to remind me what town I'm in. If it offends you, of course, I'll have it taken away again."

• (Unnamed) "You're not middle aged, Mr. Benson. In fact I think you're remarkably well preserved."
• (Unnamed) "As chilling a compliment as I've ever received, Miss Simpson."

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