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Nothing to Lose (1997 film) Quotes

Nothing to Lose (1997 film) is a television show that first aired in 1970 . Nothing to Lose completed its run in 1970.

It features Martin Bregman as producer, Robert Folk in charge of musical score, and Donald E. Thorin as head of cinematography.

Nothing to Lose (1997 film) is recorded in English and originally aired in United States. Each episode of Nothing to Lose (1997 film) is 98 minutes long. Nothing to Lose (1997 film) is distributed by Walt Disney Studios Motion Pictures.

The cast includes: Martin Lawrence as T. Paul, Tim Robbins as Nick Beam, John C. McGinley as Rig, Giancarlo Esposito as Charlie, Irma P. Hall as Bertha, Blake Clark as Gas Station Cashier, Patrick Cranshaw as Henry, Martin Lawrence as T Paul, Giancarlo Esposito as Zachary, Samaria Graham as Mrs. Davidson, and Kelly Preston as Ann Beam.

Nothing to Lose (1997 film) Quotes

Martin Lawrence as T Paul

  • (Martin Lawrence) "You can stay at my place, man."
  • (Tim Robbins) "Thanks. Just for the night."
  • (Martin Lawrence) "What, did you think I was asking you to move in?"
  • (Tim Robbins) "No I was just saying --"
  • (Martin Lawrence) "Please, Mr. Beam, stay with me forever."
  • (Tim Robbins) "Just shut up."
  • (Martin Lawrence) "Mr. Beam."
  • (Tim Robbins) "Shut up."
  • (Martin Lawrence) "Mr. Beam, Mr. Beam, Mr. Beam."
  • (Tim Robbins) "Do you know how to shut up? Is it in your vocabulary? Do you ever shut up?"
  • (Martin Lawrence) "Please stay with me forever, Mr. Beam."
  • (Martin Lawrence) "Welcome to hell, Bi-atch. Car keys, wallet, now."
  • (Martin Lawrence) "You hear what I said? Okay you listen and listen good. This a gun. Kay? Don't be fucking around with no gun, white boy."
  • (Martin Lawrence) "Helen Keller, I'm talking to you."
  • (Martin Lawrence) "I know you hear what the fuck I'm saying to you."
  • (Tim Robbins) "Boy, did you pick the wrong guy on the wrong day."
  • (Martin Lawrence) "That mask sweaty?"
  • (Tim Robbins) "I think that's the one."
  • (Martin Lawrence) "I hid it behind my balls. Ha ha."
  • (Martin Lawrence) "I never noticed before, but you really got nice eyes."
  • (Tim Robbins) "Shut up."
  • (Martin Lawrence) "But you do."
  • (Tim Robbins) "Let's get this over with, I can't believe I'm committing an armed robbery for two flashlights."
  • (Martin Lawrence) "Hey, I was present at the time of creative inspiration, which entitles me to partial ownership in this criminalistic endeavor."
  • (Martin Lawrence) "Okay, when you meet my wife, she don't know nothin' about my sideline gig."
  • (Tim Robbins) "You mean she doesn't know you're a thief?"
  • (Martin Lawrence) "Hey, I'm not a thief. Okay? I just dabble in future used goods."
  • (Martin Lawrence) "Here's a synonym for procreation, FUCK YOU."
  • (Martin Lawrence) "Let me get this straight. It's all right for you to rob a place, but it ain't all right for me?"
  • (Tim Robbins) "I didn't rob him."
  • (Martin Lawrence) "Well, you got a funny way of not robbin' a motherfucker."
  • (Martin Lawrence) "Hey, you ain't one of them desert slashers, are you? Cut a person's body up and leave it out in the desert in little tiny pieces and shit, huh? Oh shit. We are in the fucking desert. I'm in a car with a psycho freaky Jason hack-killer motherfucker. Hey, please don't kill me, freaky Jason. I said, please don't kill me, freaky Jason."
  • (Martin Lawrence) "I done fucked around and caught a ride with the wrong white boy."
  • (Martin Lawrence) "What is beetle headed?"
  • (Tim Robbins) "It's a synonym for stupid."
  • (Martin Lawrence) "Oh. Well, here's a synonym for procreation: fuck you. It's easy for you to point the finger when you're sitting on your rich ass in a big fucking house."
  • (Tim Robbins) "I'm not rich."
  • (Martin Lawrence) "Oh yeah? How big's your TV?"
  • (Tim Robbins) "What?"
  • (Martin Lawrence) "I said how big's your TV?"
  • (Tim Robbins) "50 inch."
  • (Martin Lawrence) "Ah, get in the car."
  • (Tim Robbins) "Please, let's not make this a social issue."
  • (Martin Lawrence) "There's a spider on your head."
  • (Tim Robbins) "What?"
  • (Martin Lawrence) "There's a spider on yo head."
  • (Tim Robbins) "Look, I'm sorry, I'm not up on all this jive talkin', home boy lingo, what's that supposed to mean? "There's a spider on your head"?"
  • (Martin Lawrence) "It means there's a spider on your motherfuckin' head, man."
  • (Tim Robbins) "Well get it off. GET IT OFF. GET IT OFF."
  • (Martin Lawrence) "I ain't touchin' that shit."
  • (Martin Lawrence) "Freeze, motherfucker. You move your ass so much as a -- A inch. I'll blow it off. You hear me, MOTHERFUCKER? YOU HEAR ME?"
  • (Tim Robbins) "You don't have to be so mean."
  • (Martin Lawrence) "Look man, now ain't the fucking time, alright? You say scary shit, it scares him."
  • (Tim Robbins) "yeah plus you have a gun. What you're doing is the stereotypical robber thing. If you want to scare someone, you gotta do it calm and cool and collected, man."
  • (Martin Lawrence) "Man that's bullshit."
  • (Martin Lawrence) "Hey, is this your wife? Damn. I see why you were upset. Not bad Nick, not bad, Nick. You know, for a cheatin' bitch."
  • (Tim Robbins) "Hey. Don't you call her that, you don't know her, don't say that."
  • (Martin Lawrence) "Okay, okay, no disrespect. What should I call her? "Monogamously challenged"?"
  • (Martin Lawrence) "Oh Mama. Please go on back to bed, Mama."
  • (Irma P. Hall) "What kind of man stay out 'til 2:30 in the morning and then comes back lookin' like a bruised turd?"
  • (Martin Lawrence) "Mama I wasn't --"
  • (Irma P. Hall) "Don't you talk back."
  • (Tim Robbins) "Don't talk back to your mother."
  • (Tim Robbins) "Ow. What did I do?"
  • (Irma P. Hall) "You got that slap 'cause you with him and I know you part of whatever badness he into. You got some explainin' to do in the morning, Mr. Gentleman. Now you think on that."
  • (Martin Lawrence) "I'm; I'm Nick Beam.That's what I told her. I'm Nick Beam. And Nick Beam ain't puttin' up with that bullshit. She'd have been crying, you know? "Oh, Nick, please take me back. Please, please, Nick. It was only one time." I'm gonna "one time" your ass. Nick Beam is the master of his fate, the ruler of his destiny. So if you wanna cry on somebody's shoulder, why don't you cry on Superdick? As for Nick Beam, I'm fit, lit, and I damn sure ain't takin' no shit. So you can get the fuck out. That's what I'd 'a told the bitch."
  • (Martin Lawrence) "We better get going."
  • (Tim Robbins) "We'll get going just as soon as you bring back that money."
  • (Martin Lawrence) "I'm not bullshitting. Move out."
  • (Tim Robbins) "We're not going anywhere until you return --"
  • (Tim Robbins) "Here we go."
  • (Martin Lawrence) "Let me explain something to you, Nick: if you ain't got digital, you ain't got shit. This has only got one CCD chip. Broadcast has three, Nick."
  • (Martin Lawrence) "Don't look at me like that. Are you surprised I know shit?"
  • (Martin Lawrence) "I'm a student of human nature."
  • (Tim Robbins) "You're a freak of human nature."

Blake Clark as Gas Station Cashier

  • (Blake Clark) "You must be really fast."

John C. McGinley as Rig

  • (John C. McGinley) "Nick, are you aware that there are only two kinds of people on the whole planet? There are killers and then there's everybody else. I'm the killer, Nick, yes, yes, yes, yes, yes, yes, what are you, Nick?"
  • (Tim Robbins) "I'm married."
  • (Martin Lawrence) "Ha ha, who's in control now? Hand over the bag or else my man Nick Beam here is gonna put one in your ass. Ain't that right Nick?"
  • (John C. McGinley) "You know when a sweet mouth girl like you has a fancy case like this a man gets to thinkin'; where's a wallet? I'm gonna need that wallet, Alice. Where's that big fat wallet? Give it to me. Give me your fucking wallet you little bitch."
  • (John C. McGinley) "Put down that gun, you idiot."
  • (Tim Robbins) "Will you shut up? I'm shot here."
  • (John C. McGinley) "You shut the fuck up. Who the hell do you think you are?"
  • (Tim Robbins) "You shut the fuck up. Shut the fuck up."
  • (Giancarlo Esposito) "YOU shut the fuck up."
  • (Martin Lawrence) "Hey. Hey."
  • (Giancarlo Esposito) "Pu that fucking gun down before you take a fucking toe hit."
  • (Tim Robbins) "Shut the fuck up."
  • (Martin Lawrence) "Hey. Hey. HEY. Everybody shut the fuck up. Every -- Body shut the fuck up."
  • (Martin Lawrence) "Especially you, shut the fuck up. You like girl scout cookies? Come here, come here, you want a cookie? Here's a cookie."
  • (Martin Lawrence) "Now back the fuck up like I done told you two dumbass mother --"
  • (Martin Lawrence) "Get in the car, Nick. Look at you now. Bye, cowboys. Ha ha ha."
  • (John C. McGinley) "Hey, Kareem, do you know that Charlie and I had originally intended to come up here and cap your punk ass. And your girlfriend, Nick, but shit, you two muffins did such a nice job with this financing, who could think about killing at a time like this?"
  • (Martin Lawrence) "Thanks, your approval means a lot."
  • (John C. McGinley) "I bet you sold more girl scout cookies than any other member of the whole troop, didn't you? What were you calling yourself back then? Yelanda? You little bitch. Cynthia? Susan? What was it, I can't remember."
  • (John C. McGinley) "Charlie, this shit is depressing the shit out of me. It's making me sad."
  • (Giancarlo Esposito) "What? Oh come on, man, this shit is the shit. This is the shit. It's supposed to make you sad."
  • (John C. McGinley) "It's grim."
  • (Giancarlo Esposito) "Oh come on, man, this is THE SHIT. This shit IS the shit. This is the hellified LOVE music."
  • (John C. McGinley) "I'm in bad shape over here."
  • (Giancarlo Esposito) "You know, maybe I could you in to a nice AM station, get you some Donny Osmond. Ha ha ha."
  • (John C. McGinley) "Nick, I like you like this. You and your prom date both having weapons. That way I don't have to kill an unarmed couple. Not my style."
  • (John C. McGinley) "Hey Charlie, smell this."
  • (Giancarlo Esposito) "Oh yes, you too can be a millionaire."
  • (John C. McGinley) "Hookers."

Tim Robbins as Nick Beam

  • (Tim Robbins) "I beat you."
  • (Martin Lawrence) "I carried the damn bag."
  • (Tim Robbins) "I still beat you."
  • (Martin Lawrence) "Beat me at what? Climbing steps? Guess we'll be calling you the Step King."
  • (Tim Robbins) "Now all I want is twenty dollars on pump number fifteen and a sour fruity twist, is that too much to ask?"
  • (Tim Robbins) "Oh great. Bufford's come to kill us."
  • (Martin Lawrence) "Persistent hillbilly motherfucker."
  • (Tim Robbins) "He has every right to be. You robbed him. At gun point. YOU DICK."
  • (Martin Lawrence) "Hey hey, you're the one who threw the wallet out the fucking window."
  • (Martin Lawrence) "Smart."
  • (Tim Robbins) "How's it feel, Phillip? You had it all, but it just wasn't enough. You had to mess with me. Nobody messes with Nick Beam."
  • (Tim Robbins) "There is an onslaught of initials coming at me."
  • (Tim Robbins) "The point is that, even if you wanted to rob a place, there are smarter ways to do it."
  • (Martin Lawrence) "Enlighten me."
  • (Tim Robbins) "A mask. Wear a mask. You see, the police have this thing called "a lineup", and if anybody recognizes you, YOU GO TO JAIL. Or how's this for a novel idea? Case the place first. Find out if there's a security camera, or a hidden alarm. Then again, why even rob a convenience store? How much money could you possibly get? Two, three hundred dollars? You're set for two days, wow."
  • (Martin Lawrence) "What do you know, lanky?"
  • (Tim Robbins) "I know you go for the big score. One robbery, you're set."
  • (Martin Lawrence) "News flash, big slim: people with big money, they protect it."
  • (Tim Robbins) "So you do a little research. Take Quality Design Group, where I work. My boss keeps a ton of cash in his vault. At night there's only two guards, and a personal security system. And in this case, I even happen to know the code. But even if I didn't, I --"
  • (Martin Lawrence) "What? I got a booger in my nose?"
  • (Tim Robbins) ""Diversify. You can't trust banks, Nick. The whole economy could crumble at any second." That bastard's so heavily leveraged it would wipe him out."
  • (Martin Lawrence) "What, am I hearing you right? Mr. High-and-Mighty's gonna rob his boss? You hear that, gila monsters? Old Nick Beam here's gonna rob his boss. I say, do you hear that, gila monsters? You know what, Nick? Your wife really messed your head up bad, man."
  • (Tim Robbins) "We have to bring the money back."
  • (Martin Lawrence) "Ha ha. Maybe you a little confushed about the purpose of a robbery."
  • (Tim Robbins) "Oh gee I didn't tell you, when we were at the hotel I called my wife. Everything's alright. She wasn't even there. Isn't that great? It was her sister and her sister's fiance."
  • (Tim Robbins) "I don't give a damn if it was her Uncle Fester and Gumby. You ain't taking this money anywhere, man. I don't wanna hear all that."
  • (Tim Robbins) "Let go of the bag."
  • (Martin Lawrence) "You let go of it."
  • (Tim Robbins) "It's not your money."
  • (Martin Lawrence) "It's not your money."
  • (Tim Robbins) "It's not your money."
  • (Martin Lawrence) "It's not yours -- It's half mine."
  • (Tim Robbins) "The guy that sold me that camera set up our computer network."
  • (Martin Lawrence) "Windows NT?"
  • (Tim Robbins) "No, just Windows."
  • (Martin Lawrence) "Man, get out of here with that shit."
  • (Tim Robbins) "You don't say "sorry" when you shoot somebody. You can say "sorry" when you step on someone's toe, or accidentally break their glasses, or when you fart while they're eating. YOU DON'T SAY YOU'RE SORRY WHEN YOU SHOOT SOMEONE."
  • (Tim Robbins) "I'm sure you're a really scary guy. I'm sure that, normally, people just quiver at the very sound of your voice. But, you see, I, I cant see that right now. I -- I -- I just see a weak, desperate little man -- that probably grew up torturing little animals. Some puny, little uncoordinated -- cant-make-the-football-team- so-I'll-pick-on-third-graders-and-steal-their-lunch-money -- punk, jerk-off bully -- that one day wakes up and realizes he's nothing. Just a sad, pathetic, useless, illiterate piece of inbred shit."
  • (John C. McGinley) "Time to die."
  • (Tim Robbins) "That just makes you my best friend."
  • (Tim Robbins) "Now honestly, which one of us was scarier?"
  • (Patrick Cranshaw) "He was scarier."
  • (Martin Lawrence) "Hah."
  • (Tim Robbins) "Really? You didn't find what he did as contrived?"
  • (Patrick Cranshaw) "No it was scary."
  • (Tim Robbins) "What part?"
  • (Patrick Cranshaw) "The 'freeze motherfucker' part was scary and he lead me to believe that if I moved my ass, it might be blown off."

Giancarlo Esposito as Charlie

  • (English Driver) "Here, you blokes want a lift somewhere?"
  • (Giancarlo Esposito) "Where you from?"
  • (English Driver) "London."
  • (Giancarlo Esposito) "Me too."
  • (English Driver) "Really?"
  • (Giancarlo Esposito) "Yeah."
  • (English Driver) "That's terrific. Hop in me car, let's go then. C'mon, jump in, let's go. Oh this is great."
  • (Giancarlo Esposito) "Hey would ya scoot over a smidgeon?"
  • (Giancarlo Esposito) "Sorry 'bout that. Cheers, mate. Ha ha ha ha."
  • (Giancarlo Esposito) "Zippy."
  • (Tim Robbins) "What is Zippy?"
  • (Giancarlo Esposito) "He's a cookie man."
  • (Tim Robbins) "He's a cookie man? What is that on the ground behind him?"
  • (Giancarlo Esposito) "Oh, that's a trail of chocolate chips. See, wherever Zippy goes, he leaves this magical trail of chocolate for all the boys and girls to --"
  • (Tim Robbins) "Magical? It looks like poop. It looks like piles of poop. It looks like Zippy is walking around just -- Just crapping all over the place. It looks like --"
  • (Giancarlo Esposito) "Those are chocolate chips."
  • (Tim Robbins) "And what do you think it looks like? Zach, let's say you are about to take a bite out of a juicy chocolate chip cookie. What is the last image you want floating through your head?"
  • (Giancarlo Esposito) "Excrement?"
  • (Tim Robbins) "Excrement, right. Listen, I'm gonna go out on a limb here, maybe we should avoid all bowel related items on this particular project. Just a hunch, huh?"

Kelly Preston as Ann Beam

  • (Kelly Preston) "I want a divorce. It's a physical thing. I've been experimenting with other men lately. A lot of other men -- and women. I don't know. I mean, Antonio can do this thing with his tongue, and Willam's stamina is amazing. And as far as hands go, your father's hands are -- You are no match."

Samaria Graham as Mrs. Davidson

  • (Samaria Graham) "When are you gonna stop getting into trouble, Terrence?"
  • (Tim Robbins) "Terrence?"
  • (Martin Lawrence) "T. Okay, my friends call me T. You, can kiss my ass."

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