Love and Other Disasters Quotes

Love and Other Disasters is a TV program that appeared on TV in 1970 . Love and Other Disasters ended its run in 1970.

It features Alek Keshishian as producer, Alexandre Azaria in charge of musical score, and Pierre Morel as head of cinematography.

Love and Other Disasters is recorded in English and originally aired in France. Each episode of Love and Other Disasters is 90 minutes long. Love and Other Disasters is distributed by Europa Corp..

The cast includes: Matthew Rhys as Peter Simon, Santiago Cabrera as Paolo Sarmiento, Dawn French as Therapist, Catherine Tate as Talullah Riggs-Wentworth, and Stephanie Beacham as Felicity Riggs-Wentworth.

Love and Other Disasters Quotes

Santiago Cabrera as Paolo Sarmiento

(We don't have any quotes for this character)

Matthew Rhys as Peter Simon

• (Matthew Rhys) "Jack's?"
• (Unnamed) "Hmm?"
• (Matthew Rhys) "What are you doing?"
• (Unnamed) "Reading this delicious recipe for beet root salad with margarine and balsamic vinegar dressing."
• (Matthew Rhys) "What are you doing with James?"
• (Unnamed) "Nothing."
• (Matthew Rhys) "You broke up with him a month ago."
• (Unnamed) "I know. It's just sex. He fills a void. Literally."
• (Matthew Rhys) "I don't see how you expect to meet someone new if you spend all of your time with your ex."
• (Unnamed) "Good point. Maybe I should get back together with James so I spend less time with him."
• (Matthew Rhys) "I don't think it's funny."
• (Unnamed) "Neither do I."
• (Matthew Rhys) "What's the point of shagging someone, ad nauseam, if you know you're never gonna love them?"
• (Unnamed) "It's not so simple."
• (Matthew Rhys) "He's in love with you, Jacks, and you're not in love with him. It doesn't get more simpler than that."
• (Unnamed) "That's not fair. I happen to care about James. A lot. And I hate the fact that he feels more than me, and I hate the fact that I'm not IN love with him because I know I should be, because he's smart and sweet and decent and I don't wanna hurt him. So I keep hoping that I'll grow into it. That maybe one day I'll wake up and I'll feel --"
• (Matthew Rhys) "What?"
• (Unnamed) "In love. You know, dizzy and feverish and nausea."
• (Matthew Rhys) "That's not love, Jacks. That's the flu."
• (Unnamed) "Well at least I'm trying, you big cynic."
• (Matthew Rhys) "I'm not a cynic."
• (Unnamed) "Well, when's the last time you even considered falling in love?"
• (Matthew Rhys) "Today."
• (Unnamed) "I'm not talking about some character in a novel or a movie."
• (Matthew Rhys) "Neither am I."

• (Unnamed) "An early departure? What are the chances of that? If this was a movie, there wouldn't be an early departure."
• (Matthew Rhys) "If this was a movie, you'd be blonde."
• (Unnamed) "If this was a movie, you'd be famous."
• (Matthew Rhys) "That's the problem with life. It's nothing like movies."

Stephanie Beacham as Felicity Riggs-Wentworth

• (Stephanie Beacham) "Tallulah. What's wrong with you?"
• (Catherine Tate) "Genetics."

Catherine Tate as Talullah Riggs-Wentworth

• (Catherine Tate) "So what's going on?"
• (Matthew Rhys) "Finlay thinks I should see his therapist."
• (Catherine Tate) "Finlay sees a therapist?"
• (Matthew Rhys) "Yeah. Some woman he says is really good with relationships."
• (Catherine Tate) "Maybe I should see her. I think I need to get in touch with my inner child."
• (Matthew Rhys) "Talullah, if you get in touch with your inner child, you're going to need an inner nanny."
• (Catherine Tate) "I don't trust nannies. They're all whores."
• (Matthew Rhys) "What about Mary Poppins?"
• (Catherine Tate) "Slut."
• (Matthew Rhys) "What are you talking abut?"
• (Catherine Tate) "She left the convent, married Christopher Plummer, and then took all his children up the Alps."
• (Matthew Rhys) "Speaking of 'The Sound of Music', where's Jacks?"

Dawn French as Therapist

• (Dawn French) "Relationships are best measured by farting."
• (Matthew Rhys) "Excuse me?"
• (Dawn French) "The stages of a relationship can be defined by farting. Stage one is the conspiracy of silence. This is a fantasy period where both parties pretend that they have no bodily waste. This illusion is very quickly shattered by that first shy, "Ooh, did you fart," followed by the sheepish admission of truth. This heralds a period of deeper intimacy. A period I like to call the "Fart Honeymoon", where both parties find each other's gas just the cutest thing in the world. But, of course, no honeymoon can last forever. And so we reach the critical fork in the fart. Either the fart loses its power to amuse and embarrass thereby signifying true love, or else it begins to annoy and disgust, thereby symbolizing all that is blocked and rancid in the formerly beloved. Do you see what I'm getting at?"

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